dslr video

9 Comments

[Note: This is not another tutorial on simply using LightRoom. It's actually a much faster method that only uses Adobe Lightroom to create a custom Preset.]

Let me start by saying, the best way to edit the CinemaDNG files from the BlackMagic Design cameras is to use Davinci. Of course these RAW files are nothing but still images, so if many of you favor Adobe Lightroom for editing pictures, here's a little tip on how to save it as a preset to use in Adobe Camera RAW.

I tend to like the workflow and layout of Adobe Lightroom, especially on how well it can clean up noise if you have grainy footage. I think it's much faster [and better] than trying to run 'noise reduction' software once it's laid out in your video timeline. The problem is that Lightroom can be pretty slow to export your images once you're done editing. So this technique will allow you to make changes to one CinemaDNG file and apply it to all the files through the Camera RAW app.

If you shoot RAW with a Canon DSLR + Magic Lantern, you may already be familiar with using Camera RAW. If you haven't done this already, now you can start your edits with Adobe Lightroom, and finish the entire sequence of images through Camera RAW.

Summary of Steps
Step 1) Take one RAW image into Adobe Lightroom, tweak your settings, and then export to DNG.
Step 2) Open your exported DNG image in Adobe Photoshop and this should bring up Camera RAW.
Step 3) Save the preset and close Camera RAW.
Step 4) Now open all of your BMPCC RAW images in Photoshop (should launch Camera RAW) and Load the Preset.
Step 5) Make sure to 'Select All' and synchronize to apply to all frames.
Step 6) Save Images > Export to Folder

Once you have all of your color corrected images saved from Camera RAW, you can easily bring them into your video editor similar to a Timelapse project. Depending on what format was used during the export process (JPEG, TIFF), you will still have some lateral to color correct / grade within your editing software.

17 Comments

Officially available to order, the new MogoPod Mark III is an ultra fast monopod stabilizer that only requires a simple twist to extend to various lengths.

A small and medium sized version of the MogoPod Mark III are available depending on the type of use. The larger version can extend to a full 62" inches and collapse down to just 27". An optional swiveling tripod foot can be added for additional stability. The MogoPod Mark III can be used right side up, or upside down to boom a small camera or an external flash for photographers.

mogopod_layout_09

The MogoPod Mark III "S" is a smaller version that extends to a max height of 46" inches and collapses down to just 20" inches. Doesn't sound like enough height, until you match it up with the optional MogoCrane Belt System. The MogoPod Mark III "S" attaches to the MogoCrane Belt System transferring the camera weight to the operator's hips and with a swiveling base can be used in a 'Crane-Like' fashion. The MogoCrane + Mogopod Mark III "S" combination is probably the setup most run-n-gun Videographers will appeal to for it's stability flexibility to achieve creative shots.

Mogopod Mark III S version small Mogocrane

Additional information about the new MogoPod Mark III and MogoCrane Belt System can be found at the product listing page with https://PNCGear.com.

MogoPod Mark III
mogopod_layout_08
MogoCrane MogoPod Tripod Base Foot

PNCGear MogoPod MogoCrane Stabilizer
find-price-button MogoPod Mark III Versatile Monopod Stabilizer System

27 Comments

Based off of the same body that can be powered off a single Sony NP-F style camcorder battery, the 312 / 508 / 876 LED Video Lights can offer truly 'off-the-grid' shooting using some of the cheapest rechargeable batteries available.

I recently received the 876 LED Video light to test out, so I thought i'd put them side to side against the smaller siblings. You can see how much brighter and how much more diffusion is available as we get to the larger panels, but also a noticeable shift in color bias. If you're trying to mix these lights with other LED panels or ambient light, then these tests will show you how they perform.

Here's a snapshot along with specs from an LED Meter.

312 LED Light 7 Feet

508 LED Video Light 7ft

876 LED Video Light

The images above showed the light 7 feet away from the wall. These readings (below) were taken just 3ft away from the light. (note: The 312 is a bi-color version, so it will have less output than a 312 full daylight version). Click Light Meter image for larger view.

312 LED Video Light
find-price-button 312 LED Video Light
312 LED Light
508 LED Video Light
find-price-button 508 LED Video Light
508 LED Light
876 LED Video Light
find-price-button 876 LED Video Light
876 LED Light

9 Comments

Exciting news! BlackMagic Design has finally released new firmware today for the BlackMagic Pocket Cinema Camera. This update adds lossless CinemaDNG RAW support to the Pocket Cinema Camera. Due to to the high data rate, they recommend using the Sandisk Extreme Pro 64GB SD card for recording RAW (found here).

The lossless CinemaDNG RAW will work in DaVinci Resolve and applications from Adobe like Photoshop and Lightroom. However, the Preview and Quick Look feature in OS X is not compatible and you will not see a proper image (at this time).

What’s new in Blackmagic Camera Utility 1.5
• Adds CinemaDNG RAW recording support for Pocket Cinema Camera

To download the firmware visit the BlackMagicDesign.com Support webpage at https://www.blackmagicdesign.com/support

When they were first released, inventory was scarce, but it appears these #BMPC BlackMagic Pocket Cinema Cameras have been in stock lately. Here's a few links if you don't already own this camera.
Blackmagic_Design_964117
find-price-button BlackMagic Pocket Cinema Camera - via B&H


Blackmagic_Design_964117
find-price-button BlackMagic Pocket Cinema Camera - via Amazon

18 Comments

The BlackMagic Cinema Camera can run a short time with it's internal battery, but it's really designed to use external power. I've shared a few options on this blog, but here's another option to power the BMCC off of a 14V battery adapter using Sony BP-U60 / BP-U30 batteries. If you already have these batteries from your Sony EX-1 camera, this is a great little add-on.

This battery adapter has a 1/4-20 threaded screw to attach to many rigs or cages, or can be mounted to the optional 15mm clamp. If you don't have batteries, you may want to look into the adapter plates that are bundles with a battery charger. You can find these products via eBay following the links (below).

Sony BMCC BP-U30 BP-U60 battery adapter wall charger BlackMagic CInema CameraBlackMagic Cinema Camera 14V Battery Sony BP-U60 adapter
find-price-button Sony BP-U60 BP-U30 Battery Plate 14V for BlackMagic Cinema Camera

Sony BP-U30 batteries BlackMagic Cinema CameramVp2MjLn2FYklJnCLkpFYVg
find-price-button Sony BP-U30 / BPU60 Batteries


14 Comments

Manufacturer Quick Overview
The F3 7" Monitor is lightweight, portable, and boasts an 1024x600px LED backlight display. The newly designed LCD screen is vibrant and produces a crisp image perfect for pulling focus. The new LCD screen also has a viewing angle of 170-degrees, giving you freedom of motion while using the monitor. A built-in sunscreen not only shades your screen under bright environments, but also it protects it during travel.

This monitor comes equiped with peaking, black & white, and horizontal/vertical image flip. The F3 monitor automatically detects whether the signal is NTSC or PAL, and you can choose whether to display in either a 16:9 or 4:3 aspect ratio.

This HDMI + HD-SDI model features Composite RCA, Composite BNC, HDMI, and HD-SDI BNC connections.The monitor also comes with a built in Sony NP-F battery plate. The F3 monitor offers versatility at a price point you can't ignore.

F&V F3 7" HDMI + HD-SDI LCD Monitor
The F3 Monitor sports a crisp 1024x600 pixel LED-backlit display. With professional software features such as peaking, black & white, 4:3/16:9 ratios, and more, the F3 Monitor offers a great portable viewing solution for any filmmaker..(Continue Reading..)

Register for the F&V F3 7" HDMI + HD-SDI LCD Monitor Giveaway

17 Comments

True story. I was lined up to work on a shoot where I really needed Image Stabilization on a 70-200mm. I ponied up $2500 full retail price to get one shipped in time for the shoot.

Today there's a pretty amazing deal on this lens I wished I had at the time of my purchase. At B&H, the new $2500 70-200mm F/2.8L IS lens immediately drops down to just $2199, and combined with another $300 Mail-in-Rebate, your final total is just $1899. Just add the item to cart to see changes. [Update: Go beyond cart to see changes]

For a limited time, and limited quantity at this price. (found here).

Canon-70-200-ISII
find-price-button Canon 70-200mm F/2.8L IS II

7 Comments

You've probably heard the news and seen the images, but here's a closer video look at putting together the new Shape Cage for the BlackMagic Pocket Camera. The BMPC simply drops into the Shape Cage and is locked in place by a rear sliding metal cover. So even if your system is completely rigged up, the camera can be removed from the cage.

Access to all buttons, menus, battery door / SD card, and ports are easily accessible. A very solid cold shoe above the Shape BMPC Cage can be used to mount heavy accessories (monitors, evf, audio) or to add a Shape Candy Handle. The SHAPE Cage for Blackmagic Pocket Camera can be purchased with or without the bottom 15mm rail adapter.

For more information about Shape products, check out their website at https://ShapeWLB.com, or follow the links below for information about these specific products.

Shape BMPC BlackMagic Pocket Cage
find-price-button Shape Cage (only) for BlackMagic Pocket Camera

Shape Cage BlackMagic Pocket Camera Shape Cage BMPC Shape Cage BlackMagic Pocket Camera Rig
find-price-button Shape Cage for BlackMagic Pocket Camera + Top Handle + 15mm Rail Base

23 Comments

If you love building and tinkering, here's a look at another fun little project idea from ServoCity.com. They've added a new low friction channel slider that has very low tolerance, can accept a decent load, and that slides over their lightweight aluminum channels. In this video they have assembled a drive system that pulls the carrier through the channel, to work as a video slider.

These aluminum channels can be purchased in various lengths if you're looking for longer or shorter runs, and the motors can be swapped out for faster or slower RPMs depending on your project. The overall design allows these motors to pull quite a bit of weight even vertically, but if you're looking to carry heavier camera systems, just make sure to look into the channel slider that wraps around all four sides (here).

Slider_Kit_with_Phone_MountSlider_vertical_with_phone_mount

Now if you're looking to do some tinkering of your own, I highly suggest taking a look at the dozens of videos showing you step-by-step on how to build these projects at the Servo City YouTube Channel.

For more information about the Slider Kit A, take a look at their Channel Slider Kit product pages which shows examples and a list of parts required to assemble.

ServoCity YouTube Channel
ServoCity.com Precision Building Systems