The Skyler MInicam is probably my most favorite little travel video stabilizer. It might look small, but for reference, I often fly a small Sony NEX, to a mid-sized GH3, and up to a large Canon 5D Mark III. The original Skyler Minicam stabilizer has typically been out of reach for many as it lists for over $450 dollars (found here on eBay)
Skyler MiniCam Video Camera Stabilizer
We've seen other products that share a similar design to the Skyler, but this new 2013 XCam version has an improved bearing gimbal that is said to be smoother and now offers the folding leg design making it easier to pack and travel. The top stage still offers a quick release plate and fine tuning knobs making it easier to find the center of balance. The new <XCam 2013 Mini video Stabilizer is offered at just $238 via eBay (click here)
Stopped by the Shape booth over at #NAB2013 to check out some of their new products. Kirk Neff shows off a very compact rig designed for DSLR video with a half cage, top handle, two front handles, and adjustable shoulder stock (chest pad).
Shape was also introducing a basic top handle for the BMCC along with a new rail mounted friction based EVF bracket that can be adjusted very quickly to position your EVF Loupe (many will prefer this over friction arms). For more information on Shape products check out the website at https://shapewlb.com.
Shape BlackMagic Design Cinema Camera Cage + Shoulder Mount
Vincent Laforet just posted up this video BTS of a new Hand Held Stabilized System from FreeFly that allows you to operate a video camera with smooth results. When this becomes available, this will truly be an awesome product, but retail prices for such a product are looking to be floating around $7,000-$15,000 US dollars. That actually sounds like a great deal if it comes complete with a way to stream HD Video out for a remote operator to maintain framing.
It really is an amazing tool to use that will free you from Cranes/Jibs/Sliders/Track Dollies, etc. Not to take anything away from FreeFly, but my guess is this system is strongly based on what is known as 'Brushless Gimbals' used in Ariel Photography/Video. In fact I just received an email a while back about how the technology for brushless pan / tilt stabilized systems have become more affordable and is a trend in the DIY RC Groups. Brushless motors are used in place of noisy and slow Servos.
Normally these DIY Brushless Gimbals for cameras are designed to mount under Quadcopters and stuff, but here's a couple of DIY project videos showing these brushless stabilizers in action over the past year.
There's a variety of these 'brushless gimbal' systems on the market, including many for the GoPro Hero Cameras. You can find some small systems for under $200-$300 bucks. Here's a ready made off-the-shelf product from DJI called the ZenMuse that looks pretty good. They claim to have very fast response time which is important to keeping your video shake free as you move about.
DIY Wireless HDMI & Wireless Follow Focus
So then there's the question about working with a remote operator or maybe two remote camera operators? One operator on a system like this would be in charge of framing or keeping the subject in focus. You'll need a wireless video stream from the camera. If you're moving about with a shallow depth of field, then someone needs to be in charge of what should be in focus.
This oddly segways into a video I just uploaded last night specifically for a remote camera operator, showing a DIY wireless HD video stream from a GH3 camera, and testing a Wireless Follow Focus system (below).
Thanks to Patryk for pointing out this small Nyrius ARIES Prime Digital Wireless HDMI System for me. I've in the past used the Asus WiCast (old article here) but the transmitter was a bit large and required too many amps which meant I had to use a large battery. This Nyrius ARIES Prime Digital Wireless HDMI transmitter can operate on 1A and is powered via mini USB, so i'm able to use a very small USB battery pack. The receiver still requires 5V/2A, so right now i'm just working with the Tekkeon battery pack on the receiver end.
Another reason why i'm excited to build this project is because of the GH3 camera! Canon DSLRs will lose the lcd display if you plug an HDMI cable in, so that meant that aside from my Wireless HDMI, I was required to plug in an LCD monitor with HDMI passthrough for the cam operator to see. The GH3 camera can continue to output a 1080HD signal through the HDMI without dropping the LCD display on the camera - (c'mon Canon get it together).
For controlling focus remotely, there are many different Wireless Follow Focus systems on the market, but right now i've been testing out the Senna All Recall Wireless Follow Focus system that was sent to me (below). I am still putting it through it's paces, and will have more information about the product on a later post. There are a few quirks about the design, but so far the performance of the unit has been great and I haven't had any issues.
Here's a simple way to DIY a Top Handle for your DSLR Video Camera for those low shooting scenes. The hot shoe of these cameras are very capable of mounting this little top handle, but please use common sense as to not overload your setup with bulky rigs. This is mainly a way to carry the camera in it's simplest form. The build is easy and cheap, assembled with common parts you may already have, or find it through the links below.
The Giottos Mini Ball Head is a native 3/8" mount, so you can get a 3/8" adapter, or use the reducer to 1/4" (comes with ball head) and use a 1/4" hot shoe adapter (click here).
Hot Shoe Adapter 3/8 or 1/4 Screw
These handles are all metal, knurled finish for grip, and you can actually stack them together if you want it to be very long. They come in a variety of colors if you want to spice up your aesthetics (click here).
Lensse is a company that makes very simple and affordable Video camera stabilizers that support iPhones all the way up to heavy DSLR bodies. These stabilizers balance your camera over a ball socket gimbal, attempting to prevent the transfer of shaky hands into the camera while walking, and also keeping your camera level with the horizon. You can see the complete line of stabilizers they offer (here).
Recently Lensse has just announced a new Stabilizer version called the UniqueX. It shares many of the same features at their other line of stabilizers, but the highlight of this new stabilizer is the adjustable Gimbal which can be relocated to the center of balance. Just another way of fine tuning the balance of your setup. Specs state it will support cameras up to 3 lbs and retails for about $100 bucks. Check it out via Amazon (Click Here).
Sean Rivers shares this excellent review on the PhotographyandCinema.com PR-1 Shoulder Rig [Thanks Sean]. The P&C PR-1 shoulder rig is bundled with a basic set of rails, clamps, Swiss Rods, extended handles, and shoulder pad for beginner shooters, but can easily be expanded with other Industry Standard 15mm accessories. The baseplate of the PR-1 was originally designed for smaller cameras, but with a Manfrotto quick release baseplate added, Sean was able to mount up his Sony FS700. You can find additional information about the P&C Prime Shoulder Rig PR-1 (click here)
P&C Prime Video Shoulder Rig PR-1 Bundle Kit
If the product is Out of Stock, you can also check to see if it's available via Amazon (Click Here)
P&C Prime Video Shoulder Rig PR-1 Bundle Kit - Amazon
The video above shows off the features of the Manfrotto 561BHDV (available here via Amazon). The tripod-like foot is a huge advantage when it comes to stability during video capture. Now Benro is opening up new options with a few video monopods that are designed specifically for video shooters (as seen below). The stable foot design is similar to the popular 561BHDV, but not quite exactly the same. The video below explains some of those differences between the video head and tripod foot.
The 561BHDV is a much heavier and longer unit and offers a fluid cartridge at the base. You can opt in for a head on the 561BHDV, but the head that is included does not have a pan feature (left/right) to be used as a normal video head. The new Benro systems on the other hand are being bundled with a variety of different monopods in aluminum and carbon fiber and your choice of S2 or S4 video head. The Benro S2 or S4 are not the most professional, but they are actual functioning video heads with a full panning feature to be used with any video tripod (or with any Video Slider or camera Crane).
Quality wise, the 561BHDV feels like the heavier more robust unit, but the new Benro video monopods are a good alternative with it's lightweight carbon fiber option and collapses down a bit shorter than the Manfrotto. Even at the shorter minimum collapsed length, my 4 section carbon fiber Benro can telescope to the same height as the Manfrotto up to 6.5' feet.
[UPDATE]: I've seen these Benro Monopods online for several weeks and finally decided to purchase them from overseas for my trip to WPPI. Turns out when these Benro Monopods finally hit the US distribution, they may only be available in Aluminum (no carbon fiber) and will be offered with both 'flip lock' and 'twist lock' styles. The base foot is said to also include a fluid panning base (similar to the Manfrotto).[UPDATE]:
I often get questions about whether the Kamerar Tank Cage will work on the new BlackMagic Design Cinema camera. It was originally designed to fit Canon DSLR cameras, but by accident, it can also fit the BMCC. By changing the stock rods on the Kamerar Tank Cage with standard 15mm rails, i'm able to fit the BlackMagic Design Cinema camera in pretty well. The top plate lines up to allow a 1/4-20 bolt to attach to the BMCC trapping the camera between the plates. It's a very solid mount. Just another affordable option for those looking to mount accessories and or a 15mm rail system with the BMCC. More information about the Kamerar Tank Cage can be found at the product website (click here).
I got a quick glimpse of this unique Dougmon Small Camera Stabilizer over in New York during PhotoPlus Expo, but didn't really get to try it out. It's an interesting little arm brace that gives you freedom to shoot with a steady hand, but it's no replacement for a rig where you need to mount all of your other accessories.
It's also not going to give you a locked off tripod-shot, but from the design I can see how it would alleviate those dreaded micro-vibrations, especially when shooting with lenses that don't have Image Stabilization. As much as i'd like to try something like this out, it comes with a $500+ US dollar price tag. I'll keep my opinions to myself, but who out there has thoughts on such product?